查看原文
其他

Louise Bourgeois|路易丝·布尔乔亚

AnArtSpace 一甸艺术 2022-09-20

AN ART SPACE

Art and artists     Exhibitions and events     Artist interview


 Composite materials 


LOUISE BOURGEOIS

路易丝·布尔乔亚

Composite materials by Louise Bourgeois

January 9, 2019 - AN ART SPACE

Copyright ©The AN of Art Space





EDIT /  © Wu Yimiao

ARTIST  /  © Louise Bourgeois

POSTER /  © MuMu

PHOTO /  © Louise Bourgeois

TRANSLATE  /  © Xu Danhua

LSSUANCE OF PROMOTION / © AN ART SPACE




Louise Bourgeois'S BIOGRAPHY


路易丝·布尔乔亚 |Louise Bourgeois

Born in Paris, France, 1911

Sculptor, Painter, Critic and Writer 

Died on May 31, 2010




LOUISE BOURGEOIS

Inside and outside

Cell (The last climb), 2008

Steel, glass, rubber, thread and wood

151 1/2 × 157 1/2 × 118 in; 384.8 × 400.1 × 299.7 cm


In order to fully express my intolerable limits to this family, I must choose a form to vent my anxiety, and can constantly change, destroy and rebirth. For me, sculpture is the reproduction of the body, and my body is the essence of my sculpture.


Passage Dangereux, 1997

Metal, wood, tapestry, rubber, marble, steel

104 × 140 × 345 in; 264.2 × 355.6 × 876.3 cm


By means of symbols, people can communicate more consciously. But you also have to understand that symbols are symbols. They are not flesh-and-blood exchanges.


Photo: © Louise Bourgeois

▲ ©Copyright 2019 · An Art Space





Inside and outside

 Exhibition scene

路易丝·布尔乔亚 | 里里外外





对于我来说,雕塑就是躯体的再现,我的躯体就是我雕塑的本质。为了完全表达我对这个家庭不能容忍的极限,我必须选择一个形式发泄心中的焦虑,并且可以不断改变、毁灭并重生。


——路易丝·布尔乔亚




For me, sculpture is the representation of my body, and my body is the essence of my sculpture. In order to fully express the limits of what I could not tolerate in this family, I had to choose a form to express my anxiety in my heart, which could be constantly changed, destroyed and reborn.


-- Louise bourgeois










2019

Louise Bourgeois


1947-2006WORKS














Composite materials


综合材料·1947-2006

Louise Bourgeois













Spider, 1997

Steel, tapestry, wood, glass

Fabric, rubber, silver, gold and bone

177 × 262 × 204 in; 449.6 × 665.5 × 518.2 cm







Cell (Choisy), 1990-1993

Marble, metal, and glass

120 1/2 × 67 × 95 in; 306.1 × 170.2 × 241.3 cm







Cell (Eyes & Mirrors) 1989-1993

Steel, limestone and glass







Cell (Choisy), 1990-1993

Collection Glenstone









Cell III, 1991

Metal, glass, fabric, bronze, steel, wood

81 1/2 × 87 × 83 in; 207 × 221 × 210.8 cm








Cell XXVI (detail), 2003

Steel, fabric, aluminum, stainless and wood

99 1/2 × 171 × 120 in; 252.7 × 434.3 × 304.8 cm







In and Out , 1995

Metal, glass, plaster, fabric and plastic

81 × 83 × 83 in; 205.7 × 210.8 × 210.8 cm








Cell VII, 1998

Metal, glass, fabric, bronze

Steel, wood, bones, wax and thread

81 1/2 × 87 × 83 in; 207 × 221 × 210.8 cm








Red Room (Parents) (detail) , 1994

Wood, metal, rubber, fabric, marble, glass and mirror







Lady in waiting, 2003

Tapestry, thread, stainless steel, steel, wood and glass

82 × 43 1/2 × 58 in; 208.3 × 110.5 × 147.3 cm








Red Room (Child), 1994







Untitled, 1947-1949

Bronze, painted white and blue, and stainless steel

51 4/5 × 12 × 12 in; 131.5 × 30.5 × 30.5 cm








Pillar, 1949-1950

Bronze,63 1/4 × 12 × 12 in

160.7 × 30.5 × 30.5 cm







Untitled, 1954

Painted bronze and stainless steel

55 1/2 × 21 7/10 × 12 in; 141 × 55.2 × 30.5 cm








Untitled, 2003

63 × 20 9/10 × 16 1/10 in; 160 × 53 × 41 cm








NATURE STUDY, 1984

Bronze, polished patina

29 1/2 × 20 1/2 × 15 1/2 in; 74.9 × 52.1 × 39.4 cm







Fragile Goddess, 1970

Bronze, gold patina

10 1/4 × 5 5/8 × 5 3/8 in; 26 × 14.3 × 13.7 cm








AVENZA REVISITED

Bronze with silver nitrate and polished patina

17 × 41 × 35 in; 43.2 × 104.1 × 88.9 cm







Give or Take (How Do You Feel This Morning?), 1990

Bronze

4 1/4 × 9 × 6 in; 10.8 × 22.9 × 15.2 cm








Give or Take (How Do You Feel This Morning), 1990

Cast and polished bronze sculpture

4 1/2 × 9 × 6 in; 11.4 × 22.9 × 15.2 cm








Fallen Woman (White, Black and Blue), 1996-1997

Porcelain, gilding

2 7/8 × 11 1/4 × 2 3/4 in; 7.3 × 28.6 × 7 cm








Fallen Woman, 1996

Black porcelain and polished gold

3 1/4 × 3 1/4 × 11 3/4 in; 8.3 × 8.3 × 29.8 cm








Fallen Woman, 1996

Porcelain biscuit and gold

12 1/5 × 3 3/20 × 3 3/20 in; 31 × 8 × 8 cm








Arch of Hysteria, 1993

Bronze, polished patina

33 × 40 × 23 in; 83.8 × 101.6 × 58.4 cm








Topiary, 2005

Bronze, silver nitrate patina

6 3/4 × 11 1/4 × 10 1/4 in; 17.1 × 28.6 × 26 cm








TOPIARY, 2006

Bronze, silver nitrate patina

8 7/10 × 9 3/10 × 4 in; 22.2 × 23.5 × 10.2 cm








FEMME, 2005

Bronze, silver nitrate patina

13 × 16 1/2 × 7 3/4 in; 33 × 41.9 × 19.7 cm








Knife Couple, 1949 (cast 1991)

Bronze and stainless steel

67 1/2 × 12 × 12 in; 171.5 × 30.5 × 30.5 cm







NATURE STUDY, 1986

White marble

35 × 61 × 29 in; 88.9 × 154.9 × 73.7 cm








Mamelles, 1991

Pigmented urethane rubber

19 × 120 × 19 in; 48.3 × 304.8 × 48.3 cm








Assaults, 1999

Wall relief; steel and lead

10 1/4 × 16 1/2 × 1/2 in; 26 × 41.9 × 1.3 cm








Pregnant Woman II, 1947-1949

Bronze coated and polished Ed. 4/6

52 × 16 × 16 in; 132 × 40.6 × 40.6 cm








Fée Couturière

Painted bronze

39 1/2 × 22 1/2 × 22 1/2 in; 100.3 × 57.2 × 57.2 cm







Figure, 1999

Fabric, pink Portuguese marble, metal and glass

8 7/10 × 17 1/2 × 10 1/5 in; 22.2 × 44.5 × 26 cm







Rondeau for L, Conceived in 1963 and cast in 1990

Bronze

11 × 11 × 10 1/2 in; 27.9 × 27.9 × 26.7 cm







The Couple, 2003







In and Out, 1995

Metal, glass, plaster, fabric, and plastic







The Loved Hand, Conceived in 1967 and cast in 1990

Bronze

9 × 12 1/10 × 8 in; 22.9 × 30.8 × 20.3 cm








Untitled (No. 2), 1996

Pink marble on steel base

26 × 31 × 25 in; 66 × 78.7 × 63.5 cm








UNTITLED , 2004

Pink marble

10 1/4 × 24 × 16 in; 26 × 61 × 40.6 cm








Untitled, 2001

Bronze with silver nitrate patina, in 3 parts








Untitled,Fur







Single III, 1996






Maman , 1999






 Louise Bourgeois’ Spider 

路易丝·布尔乔亚的蜘蛛




我的童年从未失去它的魔力,它从未失去它的神秘,它从未失去它的戏剧。


——路易丝·布尔乔亚



My childhood has never lost its magic, it has never lost its mystery, and it has never lost its drama.


—Louise Bourgeois


Louise Bourgeois: Structures of Existence – The Cells


The pair first met in 1980 when Jerry was hanging her work in a Soho gallery and the artist walked past the window. “I didn’t know the work so well and I’d only seen a few pieces, but I thought they were strong,” he says. He was 25 and she was 70. 


Louise Bourgeois: Structures of Existence – The Cells


Rather than a meeting of minds, their first conversation was an argument in which Bourgeois shouted at Jerry that he was hanging her work all wrong. “She could be quite aggressive and powerful, but then she calmed down after we had some tea. She then invited me to her house and so I saw even more of her work.”


Louise Bourgeois: Structures of Existence – The Cells


At first, Jerry only worked for Bourgeois a few hours a week but slowly his role grew to assistant, manager and friend. Her career spanned 70 years but it was only later in life, with Jerry’s involvement, that she became more known. The work, rather than the fame, always remained priority for Bourgeois.


Louise Bourgeois: Cell VI, 1991, Structures of Existence – The Cells


“I had to force her to go to a few of her own openings in the beginning even though she didn’t want to… She felt the whole thing was unnecessary, so was rarely involved in the commercial side of her work.”



Louise Bourgeois: Passage Dangereux, 1997, Structures of Existence – The Cells



Louise Bourgeois: Cell XXVI, 2003, Structures of Existence – The Cells






 点击往期精彩回顾 




宫名|GONG MING


莫芷|MO ZHI


张贯一|ZHANGGUANYI



「艺术·事记」|AnArtSpace



【访谈/推荐】弗兰克·奥尔巴赫:到工作室去


【访谈/推荐】何多苓:我可能天生是个审美的人


【访谈/推荐】栗宪庭:艺术家的可悲,莫过于太执着于做一个艺术家





© Louise Bourgeois

This article is published by exclusive AN-ART SPACE, the artist authorized to publish, without permission, please do not reprint.


AN ART SPACE

DIGITALl  MEDIA  OPERATION  PLATFORM

Copyright © 2019 AN ART SPACE. All rights reserved.

/

Learn More About Art Information


© AN ART SPACE

© 2019 AN ART SPACE | Design by Think Web Strategy

您可能也对以下帖子感兴趣

文章有问题?点此查看未经处理的缓存