Cecily Brown｜塞西莉布朗
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Cecily Brown
塞西莉布朗
Category：Painting
April 1st. 2018
Copyright © 2018 The AN of Art Space
EDIT / © RoSAN
ARTIST / © Cecily Brown
POSTER / © MuMu
PHOTO / © Cecily Brown
TRANSLATE / © KiMo
LSSUANCE OF PROMOTION / © AN ART SPACE
Cecily Brown'S BIOGRAPHY
塞西莉布朗 ｜Cecily Brown
Born in London, England in 1969
Graduated from the Slade School of Art in London
Cecily Brown
Ssense of expansiveness
Aujourd hui Rose，2005
Gagosian，77 × 55 in，195.6 × 139.7 cm
©Copyright 2018 ·Cecily Brown ＆ AN ART SPACE
Cecily brown is full of tension and10 restlessness. It has a strong and solid body feeling, which can cause the width and depth of people's emotional experience, especially related to touch, enjoyment and passion.
The Museum of Modern Art Archives
Source of materia：The Museum of Modern Art Archives
©Copyright 2018 ·Cecily Brown ＆ AN ART SPACE
And meat is cecily brown into the theme of the show, she put the pigment is equivalent to the flesh, and create a feeling of calm picture, the picture in the wild brushwork and a mixture of brush marks, sensual, hide an contains a wild women.
Figures in a Landscape 2，2002
Oil on linen，80 × 90 in，203.2 × 228.6 cm
©Copyright 2018 ·Cecily Brown ＆ AN ART SPACE
2018
Cecily Brown
THE FIRST PART｜WORKS
Oil on canvas
布面油彩
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
© Cecily Brown, Figures in a Landscape
ART AN SPACE 2018
2018
Cecily Brown
THE SECOND PART｜WORKS
Paper painting
纸本绘画
© Cecily Brown，Paper painting
ART AN SPACE 2018
© Cecily Brown，Paper painting
ART AN SPACE 2018
© Cecily Brown，Paper painting
ART AN SPACE 2018
© Cecily Brown，Paper painting
ART AN SPACE 2018
Cecily Brown
Cecily Brown’s painting uses the history of sex and violence of Western art history and reinvents the subject matter through an immediate, direct application of pigment. As critic Johanna Drucker notes, the paintings “flicker at the hallucinatory edge between figural representation and gestural abstraction,” mimicking the ranges of touch and flashes of eroticism. Baroque in scale and temperament, Brown’s paintings might recall the twisting bodies and forms of Titian or Rubens though the works are also cognizant of the fractured spaces and flesh of Willem de Kooning’s portraits as well as the critical climate of identity studies. Brown’s scenes never fully coalescence into stable images, but instead delay closure and become a field of often beautiful passages of colorful marks and strokes.
Black Painting 1, 2002, is part of a series of dark works that muse on the connection between sex and death and demonstrate the complexity of Brown’s sources and concerns. A viewer can detect the hint of many references, notably Francisco Goya’s famous etching The Sleep of Reason Produces Monsters, 1799, Henry Fuseli’s The Nightmare, 1782, and William Blake’s Jerusalem, 1820. However, Brown’s work is not easily reducible to any one forerunner and can be seen as a critique of these historical works. Unlike the ravished and intruded females of Blake and Fuseli, the painting presents a solitary male tortured by ambiguous if not evil spirits of the night. Goya’s bats and Fuseli’s horrible incubus become a cloud of fading flashes of white strokes, but it is ultimately uncertain whether the flashes come from an outside source or are produced by the man’s prone, orgasmic body.
Figures in a Landscape 2, 2002, features other innovations on historical sources. On the edges of the canvas, trees frame Brown’s central erotic actions in paint, a reference to a long lineage of pastoral landscape painting as well as the modern updates of the genre undertaken by Édouard Manet’s infamous Luncheon on the Grass, 1863, and Paul Cézanne’s bather paintings. Like Manet and Cézanne, Brown is presenting an edgy, contemporary take on sexuality. However, in Brown’s style, sexuality becomes enacted directly in the application of paint—historical composition breaks into surges of energy and loosely organized swatches of color and light.
○ 上 下 滑 动 查 看 艺 术 家 展 览 ○
Slide up and down
Artist EI
SOLO SHOWS
2014
Gagosian,
Paris,
Cecily Brown
2013
Gagosian,
Beverly Hills,
Cecily Brown
2013
Gagosian,
New York,
Cecily Brown
2011
Gagosian,
Rome,
Cecily Brown
2011
Gagosian,
London,
Cecily Brown
GROUP SHOWS
2017
Alpha 137 Gallery,
Emperor Woman
2017
Eckert Fine Art,
Kent,
American Masters Editions 1960 - 2000s
2017
Alpha 137 Gallery,
Rare, Collectible and Historic Modern & Contemporary Art Posters
2016
The FLAG Art Foundation,
New York,
Cecily Brown, Jeff Koons, Charles Ray
2015
The FLAG Art Foundation,
New York,
Surface Tension
2015
Galerie Maximillian,
Aspen,
Interuppting Nature
2015
Royal Academy of Arts,
London,
La Peregrina
2015
Royal Academy of Arts,
London,
Rubens and His Legacy: From Van Dyck to Cézanne
2014
Contemporary Fine Arts,
Berlin,
How Soon Was Now
FAIR HISTORY ON ARTSY
2017
Miami Beach,
Two Palms at Art Basel in Miami Beach 2017
2017
New York,
Two Palms at IFPDA Fine Art Print Fair 2017
2017
San Francisco,
Paula Cooper Gallery at FOG Design+Art 2017
2016
Miami Beach,
Two Palms at Art Basel in Miami Beach 2016
2016
New York,
Two Palms at IFPDA Print Fair 2016
2016
Basel,
Two Palms at Art Basel 2016
2016
New York,
Two Palms at The Armory Show 2016
2015
Miami Beach,
Contemporary Fine Arts at Art Basel in Miami Beach 2015
2015
Miami Beach,
Two Palms at Art Basel in Miami Beach 2015
2015
NYC,
Two Palms at IFPDA Print Fair 2015
2015
Basel,
Two Palms at Art Basel 2015
2015
Contemporary Fine Arts at Art Basel in Hong Kong 2015
2014
Miami Beach,
Two Palms at Art Basel in Miami Beach 2014
2014
Contemporary Fine Arts at Frieze London 2014
2014
Rio de Janeiro,
Gagosian Gallery at ArtRio 14
2014
Two Palms at Art Basel 2014
2014
New York City,
Two Palms at The Armory Show 2014
2013
Miami Beach Convention Center, 1901 Convention Center Drive, Miami Beach, FL,
Two Palms at Art Basel in Miami Beach 2013
2013
New York City,
Two Palms at Armory Show 2013
Exhibition site
Photo：© Cecily Brown
▲ The Museum of Modern Art Archives
Photo：© Cecily Brown
▲ The Museum of Modern Art Archives
© Cecily Brown
This article is published by exclusive AN-ART SPACE, the artist authorized to publish, without permission, please do not reprint.
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