展览名称：胡为一 | 窗外无窗

开幕时间：2019 年 5 月 11 日（周六） 16:00 - 18:00

展览时间：2019 年 5 月 11 日 - 6 月 15 日

展览地点：HdM 北京 | 北京市朝阳区酒仙桥路 4 号 798 艺术区七星东街

HdM GALLERY 北京空间在此很高兴地宣布，我们即将于 2019 年 5 月 11 日举办艺术家胡为一的个展《窗外无窗》。此次展览是艺术家胡为一与画廊的第一次个展合作，也是继胡为一 2015 年在尤伦斯当代艺术中心悦廊个展后，于北京的第二次个展。展览将持续至 6 月 15 日，届时将展出 10 件录像、装置及摄影作品。

关于展览

胡为一的作品涉及多重领域，他擅于运用多种媒介进行创作，尤其以摄影、录像、装置为主。此次展览的作品均为胡为一今年的最新创作，他将自己生活的城市空间作为创作主体，并以独特视角切入当下社会的文化发展内核，从而将作品从平面化的身体感官迈向了更为立体的深度社会讨论之中。

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胡为一，《无痕》，影像装置，95x170x20 cm，2019

在此次的创作中，胡为一将社会生活中稀松平常的日常起居片段纳入镜头，如未装上窗户的空旷大楼、夜间闪烁的万家灯火、被枯枝包围的荒野信号灯、晾满衣物的奇幻大楼等等看似平常却又充满怪异色彩的城市景观。他们平静而客观的存在着，但又突如其来地遭受来自其他日常物的强行干预，诸如遮挡、夺取、叫停以及清洗等等具体行径。可这些行径并未产生任何后果，干预的反作用力又被作用于其自身，就这样它们彼此相互舞蹈，像一场没有意义的虚无游戏。这种虚无伴随的无力感也倒映出了城市中每个个体的生命状态，一边期待权力可以赋予规范且标准化的生活模式，却又无法抑制自我内在的欲望暗涌。城市是权力和欲望的混合体，它使每个生存其中的个体都无法摆脱这两极带来的引力拉扯。这是场注定会筋疲力尽的都市舞蹈，每一个生存对象都被卷入其中，成为了权力关系链中密不可分的组成部分，并朝着同一方向模式化地输出自身。胡为一的创作正是以这样充满矛盾和撕扯的现实生活为背景，通过对城市中不同对象的生存姿态的捕捉，丰富地呈现了一场荒谬的现代都市寓言，完成了其私人欲念在层层高楼中的释放。

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胡为一，《信仰》，摄影、数码微喷、哈内姆勒纯棉硫化钡，97.5x130 cm，2019

胡为一 1990 年出生于上海，2013 年毕业于中国美术学院获得学士学位，后攻读中国美术学院跨媒体学院，于 2016 年获得硕士学位，现工作生活于上海。他的作品曾多次在国内外公共机构展出，包括苏黎世 Helmhaus 美术馆、余德耀美术馆、上海当代艺术博物馆、龙美术馆、上海 MoCA 当代艺术馆、广东时代美术馆、民生现代美术馆、中央美术学院美术馆、香港艺术中心等；并于2014年荣获第二届三亚艺术季华宇青年奖。

Exhibition: Hu Weiyi | The Window Blind

Opening: 2019.05.11 (Sat.), 16:00 - 18:00

Duration: 2019.05.11 - 06.15

Location: HdM Beijing | 798 Art District, No.4 Jiuxianqiao Road, Chaoyang District, Beijing

HdM GALLERY Beijing Space is delighted to present our forthcoming exhibition ‘The Window Blind’, a solo show of artist Hu Weiyi. This is Hu’s first cooperation with HdM GALLERY and his second solo show in Beijing after his solo show at the UCCA. The exhibition will showcase 10 new works, including videos, installations and photographies. It will open on March 11th and last until June 15th 2019.

About the Exhibiton

Hu Weiyi’s works involve multiple facets, and he is apt at combining various media in his works, especially photography, video and installation. The works in the exhibition were all produced this year; he regards the urban space he lives in as his main source of inspiration, and he taps into the core of the cultural development of our society with a unique approach, thus making the work turn to more tridimensional and advanced social discussions.

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 Hu Weiyi, Spring Breeze, photograph, ultra giclee, 40x30 cm, 2019

In this exhibition, Hu Weiyi brought everyday social scenes into his lense, including spacious buildings with half-open windows, twinkling city illuminations, aggressive traffic lights surrounded by withered tree branches, strange buildings with clothes hanging out etc.; they form ordinary yet strange urban landscapes. Landscapes that exist calmly and objectively, but are unexpectedly subjected to the forced intervention of other daily objects, such as blockage, seizure, obstruction, cleaning and so on. But these actions have no consequences, they are an end unto themselves, so that they dance with each other, like a meaningless game of vacuity. This sense of powerlessness, concomitant with nothingness, also reflects the existential state of each individual in the city. People endure a power that can integrate a rule and a standardized lifestyle, though they are not capable of suppressing their inner desire. The city is a mixture of power and desire, which makes it impossible for each living individual to be rid of the gravitational pull of these two poles. It is an exhausted urban dance in which each living object is involved, and becomes an indispensable interconnection of the hierarchy, systematically exporting itself to the same process. Hu Weiyi’s creations are based on such a tension of contradictions and tears: he presents a grotesque modern city fable by capturing the living posture of different objects in the city, thus incorporating his private desire on high-rise buildings.

Hu Weiyi, born in 1990 in Shanghai, graduated from the China Academy of Art in 2013 with a bachelor’s degree, then studied at the School of Intermedia Art, the China Academy of Art, and received a master's degree in 2016. He now lives and works in Shanghai. His work has been exhibited by numerous institutions and galleries including The Helmhaus Zürich, Yuz Museum, Power Station of Art, Long Museum, MoCA Shanghai, Guang Dong Times Museum, Minsheng Art Museum, CAFA Art Museum, Hong Kong Arts Centre, etc. He was nominated for the 2nd Art Sanya Huayu Youth Award in 2014.

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